We are stoked to announce announce the deluxe reissue of Virginia grind outfit Pig Destroyer‘s “Painter of Dead Girls” collection album, fully remastered and expanded with additional audio, additional artwork, archival photos and long-lost lyrics. Showcasing the band at their most primal (as a then-bassless power trio) these recordings capture the varied sounds of an envelope-pushing, borderline feral outfit.
In the leadup to this deluxe reissue, a largely unheard yet definitive version of their late-90s demo-era track ‘Delusional Supremacy’ is now streaming via Noisey:
With a sonically massive rendering, ‘Delusional Supremacy 2K’ was previously found only on an obscure early-00’s sampler, unavailable widespread until now. This blistering PxDx deep cut is finally given proper attention, and is unlocked within the “Painter of Dead Girls (Deluxe Edition)” digital pre-orders, as well as streaming as a standalone single via Spotify:
The vinyl version of “Painter of Dead Girls (Deluxe Edition)” is also available now for pre-order in the Robotic Empire – Online Store, including a limited color vinyl option.
Finally available again on vinyl after over a decade of unavailability, the first half of this collection was initially tracked as an equipment burn-in test during the millineal year leading up to Pig Destroyer self-recording their seminal “Prowler In The Yard” full-length. The secondary bulk of the material initially yielded their most sonically powerful recordings at the time, put to tape in the late 1990’s at Oblivion Studios (pg.99, Enemy Soil, etc).
Rounding out this expanded edition of “Painter of Dead Girls” is a raw mosh basement live recording of ‘Rejection Fetish’, along with a truly bludgeoning cover of Helmet‘s ‘In The Meantime’ complimenting the existing Dwarves and Stooges covers. With 19 blistering tracks in total all meticulously remastered by James Plotkin, this key piece of the Pig Destroyer catalog looks and sounds better than ever.
The original album artwork by Chris Taylor has been extended into a beautiful gatefold jacket with added metallic silver highlights. Newly created extra artwork adornes the interior, along with recently unearthed lyrics to all the PxDx songs found on “Painter of Dead Girls”, printed in full for the first time ever. A double-sided photo collage innersleeve houses the vinyl, containing classic photos from the era surrounding these recordings. The digital download versions includes a PDF booklet of these elements.
The vinyl version includes a full digital download of the album, and Pig Destroyer‘s classic “Painter of Dead Girls” collection is finally done justice on this deluxe edition release.
In a feature last year, Vice called Pig Destroyer “one of the most influential American grindcore bands” and frontman J.R. Hayes a “lyrical genius”. Commenting on the new reissue, Hayes states:
“Painter of Dead Girls is a record that really benefits from being on vinyl and the crushing new mastering job by James Plotkin makes it sound better than ever. This record combines the two EPs (split with Benumb and split with Gnob) that we released right before Prowler in the Yard. The material for the Benumb split was written in a couple days and recorded in one quick session the weekend before we recorded Prowler, and once we did that album, we kind of forgot about these two EPs, which is a shame, ’cause I think this might be some of our most vicious stuff. Fast-forward a couple months and somebody smashes my car window and steals my backpack, which contains a bunch of my notebooks. Talk about depressing. I thought the lyrics for the Benumb split were gone, and I never bothered to sit down and try to figure them out again.
Fast-forward a few years and Robotic Empire is compiling Painter of Dead Girls for its original CD release. Andy asks for the lyrics and I’m like [tugging at shirt collar] ‘Uh… about that…’ I mean, it’s one thing to not print the lyrics on purpose, but who doesn’t even know their own lyrics? It was kind of embarrassing. Fast-forward to a couple years ago, and I discover a stash of forgotten notebooks while I’m moving. Pinned inside one, I find a crumpled sheet that has most of the lyrics for the Benumb split, and this inspires me to actually sit down and figure the rest of them out. Fast-forward to now, and here they are, in print for the first time ever, along with some brand-new artwork from my favorite artist Chris “Crude” Taylor and first-class packaging courtesy of renowned music pimp Andy Low and the Robotic Empire. I can’t wait to hold one of these babies in my grubby hands.
Long live Grind. And Virginia.”
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